Square Sizes
50 x 50 inches |
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1270 x 1270 mm |
50 x 50 inches |
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1270 x 1270 mm |
We use the highest-quality giclee printing on the finest archival papers, using the latest Epson professional printers.
Our giclee printing is set to 1440 dpi, with 8 passes, (no. of times a print head passes over an area),
Our archival pigment prints are profiled for accurate colour reproduction.
Using our state-of-the-art print software, prints are sharp, detailed, and vibrant. We maximise the colour gamut for every paper we offer and capture open shadow detail, true blues and natural skin tones for every image we print.
3-level black ink technology means better grey balance, impressive mid-tones, and no colour casts, for true black and white reproduction.
Studies have shown that Giclee Prints colour vividness can last in excess of 200 years with tests by independent bodies such as Wilhelm Research and printer manufacturers such as Epson. This gives assurance to collectors and art buyers of this type of printing method.
Our Framed prints are printed at 1,440 dpi, using a 10-colour pigment ink system on the finest archival papers. Our 3-level black ink technology gives your images superior grey balance, fine mid-tones and no colour casts for true black & white and colour reproduction.
Our frames make use of the highest quality materials from sustainable sources, put together by Fine Art Guild-commended framers.
Our prints are protected with sealed brown taped backs and a crystal-clear acrylic or glass glazing.
Choose from a dense solid wood moulding, that come in a choice of contemporary matt white or matt black.
Larger frames use a thicker 3mm acrylic glazing for extra durability and flatness and are dry-mounted; this involves bonding the printed artwork to a mounting board using a dry tissue adhesive, activated by a heat press. This is the professional's choice for mounting artwork and is included in the price of our larger framed prints.
Our canvas prints are sharp, detailed canvas prints that last 100 years without fading. Printed onto bright 400gsm cotton, hand-stretched on heavy-duty 4cm-deep stretchers.
Our advanced large-format printers print at 1440 dpi using a 10-colour pigment ink system, for smooth graduations, less bronzing, and an impressive colour range.
Printed, using the giclée method, on tight-weave bright white 400gsm cotton canvas with a uniform, non-cracking surface, prints are hand-stretched onto heavy duty 38mm-deep knotless solid kiln-dried fir stretcher bars from sustainable sources in Europe.
Our canvas prints come with built-in corner wedges that make it easy to tighten the canvas. They arrive ready to hang, backed with brown framing tape and a flat hanging system that keeps your canvas lying perfectly against the wall.
Our Acrylic prints are printed on fade-resistant exhibition film, our images are bonded to a 10mm thick, solid piece of acrylic, and hung on an invisible sub-frame. It’s a contemporary, vivid, and high-impact format.
Our aryclic prints are printed at 1,440 dpi on 200 microns, semi-rigid, fade-resistant film, with superb light diffusion. Then, they’re bonded to a gallery-quality, solid piece of acrylic with a microporous coating for maximum definition and remarkable depth and luminance.
An invisible hanging system, with elegant aluminium fixings attached to a sub-frame, gives your images real presence. The hanger consists of two aluminium interlocking brackets modelled after the French cleat, featuring a built-in spirit level which ensures an accurate and easy installation.
Our aluminium prints are a dense polythene core sandwiched between two thin aluminium sheets.
At only 3mm thick, our aluminium prints are a minimalist mount for any image and often used in contemporary interior settings.
Our aluminum prints are printed using the latest fine art inkjet technology, archival paper and inks. Your prints are then professionally mounted and finished with a clear protective laminate.
Our aluminum prints comes complete with a hidden hanging system that makes your image look like it’s floating away from the wall.